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My first hundred tapes 7

Penguin Fleetwood Mac

Gestation difficult for the publication of this post ... Lacking in youtube a video of the time when Fleetwood Mac released Penguin (Spring 1973), I decided to create a program using the Pinnacle. I matched images retrieved from the network and two songs in mp3 to allow my readers to hear the kind of music that the group filed at the time. I got the video uploaded on youtube in HD High Definition. After several hours of processing the result was that I could see images in a good quality, but I could not have the sound "thanks" to the veto of the WMA that I inhibited the use of licensed songs. I tried to redo the procedure, but nothing has changed. So I decided to upload, the system made available by Blogger, from my computer, the video I had done to transform and save with Real Player. The result of the conversion, unfortunately, has given a satisfactory outcome is not just about video quality, but at least allowed me to post it on my blog with audio. So I decided to keep the two movies. Starting at the same time making them, you can hear the first audio track and still see the video in low resolution, while with the second, on youtube we can taste the difference in image quality (and we realize now ... even if the photographs are of poor quality in origin) but the audio is prohibited.


This tape I bought from my ex-colleague Ferretti, I mentioned how he had worked at the studio of a small publishing house Ducale Brebbia (VA), along with seven other titles, back in 1974 when I was at the beginning of the collection of my tape library. I declare here my complete ignorance of that time as to who were the Fleetwood Mac I was still bound to listen to "light" radio and my only musical instrument at the time of update was based, and trusted reading "Smiles and Songs TV" ... so my lack of knowledge of the whole musical world was conceivable extra Sanremo ...
I think this tape after a couple of steps in my tape player, has been squeezed out soon. I was not prepared for the type of music you could listen to. And to think that it's not so difficult to assimilate! The sounds that came, however, were strangers to me, strange and unknown then. I was not enticed to listen again. Besides, at that time used every opportunity to enjoy Baglioni, Jesus Christ Superstar and Tubular Bells, which bought my first tapes. So Penguin did not have the right space to be heard and appreciated. Poorly the tape was made ahead of time to rest and was not even offered to play for his friends. If you did not like me .... It 's been almost a virgin, untapped. Played back even more because, over the years, the new technology of the CD I had ordered the filing of all the boxes. Therefore I do not even linked to her memories of life.
I resurrected for this occasion, to take pictures to be included in the blog.
And I must say that I'm enjoying some of the compositions, especially those sung by Christine McVie, and I was impressed by the instrumental, which I also mentioned in the video, Caught in the Rain by Bob Weston.
me back to mind the atmosphere in Pat Garrett and Billy the Kid Bob Dylan, with those touches of guitar and choir in the background. Ideal for a soundtrack to documentary film.

At that time, music critics considered it a bad job. He did not lose the abandonment of primitive roots with Peter Green, a founder with Mike Fleetwood and John McVie, gave life and vigor to the movement of British blues. The ups and downs, and above all personal, group at that time gave rise to several lineup changes, of course, involved changes of musical direction. I will not be here to tell the story of the group because it would take me away and not in the spirit of my post. I remember some rather more personal memoir about the discovery of Fleetwood Mac, next to my first meeting with the group. After
enriched my collection with more than 400 boxes, I was starting to documents for a possible purchase of a turntable and then pass the collection of vinyl. To do this, monthly, bought two magazines at the time, as the gospel for every audiophile who considered such. Sound and its sister Stereoplay.
already helped me to improve my musical culture with Hello 2001, New Sound, but the two aforementioned journals, as well as trained in the field of hi fi, were a tremendous source of information "different" for the extension of my knowledge. Especially with the pages of Sound Music Box which, incidentally, were prepared by the group of future founders of The Wild Bunch, offered some especially fine articles on the American scene. It was from those pages that I knew the story of the Byrds and I was infatuated (Jailbird was Raffaele Galli ...), was a full-page photos of Stevie Nicks that I fall for that wonderful "Gypsy" Fancy listening to it. When I could finally hear the incredible voice with the band Fleetwood Mac in the newly formed "American", he became an enthusiastic fan of his.
discs that I was brought closer to the new Fleetwood Mac Rumours and Tusk were, and Belladonna was the first solo album Stevie Nicks on which was engraved a beautiful duet with Don Henley, "Leather and Lace", which was for a long time, but still ... one of my favorite songs ever. At that time I had Eagles and Fleetwood Mac in the top of the list of groups that I loved to listen more.

back to Penguin, I can say that putting it in the CD player, nowadays, has become almost a habit. Having discovered, I stop to those compositions that pleases me most. So listening to the voice of Christine McVie in Remember Me, and Dissatisfied Did you ever love me (compositions) I find it fascinating and not monotonous like maybe I had seemed at first hearing of many years ago. And the "country" by The derelict tells me that even then were very close to certain American atmosphere that will make their future with the training he got the resounding success in the late seventies. And even the instrumental mentioned Caught in the rain is coming overwhelmingly from the songs in my mind at every turn.
Finally place a photo of the components that were part of the group in that period 1973-1974.
are, from top to bottom and from left to right.
Mick Fleetwood (always part of the group), Dave Walker
below and Bob Welch Bob Weston and sitting
spouses Christine and John McVie. There is also
un cane... , ma sarebbe offensivo dire che fa parte della band...

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Gay Crusing Spots Las Vegas

Diamond ... A global success! Patrick


Composta la formazione, non resta che lanciare il singolo "Diamond" nel mercato discografico. La promozione viene principalmente da Deejay Television su Italia 1 (una ottima vetrina!), poi partecipa ad Azzurro '86 (conquistando il “Telegatto”, importantissimo riconoscimento della discografia italiana paragonabile ad un Oscar film) and several television shows, are also invited to nightclubs, because the piece is really innovative!
remains in the charts of best selling records by the end of December 1985 to June 1986, reaching even the first!
I would love to hear the first version, that of Hyra ...
of "Diamond" there are many versions, including:
Diamond (7 "Version)
Diamond (7" Dance Version)
Diamond (7 "Remix)
Diamond (12" Remix Long Version by MA-MA)
Diamond ( 12 "Extended Version by MA-MA)
Diamond (12" American Version by J. Burnett)
Diamond (7 "and 12" Version by P4F)
Engraved label WEA Records mix with the exception of Ibiza Records label.
The cover has been designed by Mauro Marani.
MA-MA are two deejays, namely: Sabiu Marco, Massimo Carpani.

Trivia: the female voice in the song is Antonella Pepe (vocalist "standard Cecchetto stable), the choirs were directed by Angela Parisi.
Its video was made in London, and the girl that appears was a beautiful English model, to report the unfortunate arrival of Green Street in London, since they stole all the luggage (had to buy back clothes !!!).


Via Verdi - Diamond
(P.Giuliante-M.Grati-M.Flores)

He's an old gray man
Livin 'in a magic (in a magic)
Fed with milk of stars
Shinin' of desire
He's an old man grey
Livin' in a magic (in a magic)
Sleepin' in blue cars
Victim of the red wine
You saw the shadow of the earth
Behind one face of the moon
And wiz fly around the sphere
This is the midsummer night
Why don't you shine
Pale as a cloud of diamond
You are the kid of the night
You can change the golden heaven
And you can freeze the flying words of fire
Oh diamond oh diamond oh diamond
He's an old man grey
Livin' in a magic (in a magic)
Fed with milk of stars
Shinin' of desire
He's an old man grey
Livin' in a magic (in a magic)
Sleepin' in blue cars
Victim of the red wine
You walk over a trouble path
Nooo I want to stop this dance
And she kiss the killed twin
Born in a crazy dark desire
Why don't you shine
Pale as a cloud of diamond
You are the river of light
You can change the human heaven
And you can dream the dying words of fire
Oh diamond oh diamond oh diamond (repeat)

Can You Kill Scabies With Blech

Giuliante ... What can I say?


Di Patrizio Giuliante ho poche informazioni, ha recentemente scritto un libro di poesie intitolato "Tentativi". Nei Via Verdi era autore con Marco Grati dei testi, da "Diamond" fino a "Love is a dream"...Ha rilasciato varie interviste all'epoca del grande boom!

Painful Check And Swoolen Lymph Node In Jaw

Armando Grati ... invisible but essential!


Armando Grati, already on bass and vocals in Hyra, we can define the element of "hidden" group, so basically the video, never appeared in interviews, but gave a lot to do as a sound engineer the disks. He followed in the various Festivalbar Via Verdi and Blue remained in the trenches, but so much fun! Armando
like all good music, for example, Queen, Pink Floyd, Prince, World Music, Bruce Springsteen, Miles Davis, Weather Report, David Bowie, The Beatles, Frank Zappa, Debussy, Mozart, Peter Gabriel, Sting, Sheela Sheena Langeberg, Berliner Philharmoniker, Bloodflowers - The Cure tribute band, Mr.Cream, David Byrne, Lady Gaga, Green Day, Curt Smith, The Police, Depeche Mode, Ryuichi Sakamoto, Shakira, Andrea Bocelli, Elisa, Foo Fighters, Coldplay, Susan Boyle, The Black Mambas, Michael Jackson, U2, Talking Heads...
Nei Via Verdi ha suonato il basso elettrico, programmava i sintetizzatori con Glauco, faceva i cori live, ed era sound engineer.

Milena Velba ,lesbicas

Remo Zito ... our Phil Collins!

Remo Zito, voce dei Via Verdi fino al 1987...Entrato nel gruppo nel 1985, si distingue subito per la particolare somiglianza vocale a Phil Collins. D'altronde Remo ama molto i Genesis, Peter Gabriel e appunto Phil Collins. Oggi fa il tassista ad Ancona, mentre negli anni del successo gestiva una tabaccheria vicino la stazione; suona e canta ancora, so amateur, with the group of "First" ... I suggest a recent interview with our experienced Remo reminiscent of the epic:
http://www.heyzoom.net/2010/03/08/remo-zito- tell-oar-zito /

Subwoofer V 6x9 2007 Honda Cr-v Subwoofer?

Massimo Marchione Elyan Fernova ... today!


Massimo "Max" Marchione ... The best drummer in the world!
Massimo joined the group in 1985, with record of experience already behind him (again in 1985 before the Via Verdi, with his friend "AAX Donnell, Max used the pseudonym" Eric Malone "and recorded the single" Golden Cage " , who had a style italo-disco/funk/soul) ... Max is Senigallia and now lives in Australia, his musical tastes at that time, Toto, Debarge, Aretha Franklyn, Narada Michael Walden, Clarence Clemmons, Michael McDonald, Yellow Jackets, Uzeb, Spyro Gyra, Chick Corea, John Scofield, Larry Carlton, Lee Ritenour, Weather Report, Steps Ahead, David Sanborn (madonna how many people! ). Maximus, as well as the Via Verdi, has worked with people like Sandy Marton, Spain, Audio 2, Roberto Vecchioni.

Small Desert Eagle Tiger

keyboards Glauco ...


Medori Glauco ... The element of the more reserved and less flashy, but certainly a genius of the keyboards! Mark Gratton has a good relationship with Glauco (they are like brothers) and have a perfect understanding music ... The music tastes of Glaucus know them a little but, as Mark says, the thing that has them more common is a deep study of Breton folk music (Alan Stivel), popular Irish, Scottish, Welsh, to Vangelis (Even and Hell), Isao Tomita, Gregorian music and great composers such as Corelli and Sergei Sergeyevich Prokofiev Personally .. are in touch via Facebook with Medori Simon, the son of Glaucus would intervene ... If I would be more than happy!

Dark Haired Action Actresses

Marco Grati, guitarist leader!


Let us know in depth the group. The group Via Verdi, was composed in 1985 by Marco Grati, Glauco Medori, Massimo Marchione, Remo Zito, Armando Grati and Patrick Giuliante.
Marco Grati is with Glauco Medori, the founder of the Green Street project, excellent chitarrista con uno stile molto personale è cresciuto ascoltando Pink Floyd, King Krimson, Yes, Deep Purple, i primi Banco del Mutuo Soccorso(quelli "progressive")...i suoi maestri e ispiratori sono i chitarristi Steve Haket, David Gilmour, Robert Fripp, Steve Howe e le meravigliose chitarre ritmiche di Marcello Todaro, il meno tecnico ma sicuramente geniale primo chitarrista del Banco...

Destination Welcome Letters

Mario Flores ... The


Ha portato bene ai nostri...le ultime parole famose! Si perchè dopo un successo durato l'arco di 3 anni, tutto è finito nel silenzio assoluto senza un motivo. Io cercherò di raccontarlo nella maniera più semplice, supportato dai grandi artisti quali sono Massimo Marchione, Armando Gratton, Mark Gratton, and Remo Zito. I remember that the Via Verdi still exist, but this more on that later ....
Year 1985: Falconara quivers, Marches whole quiver of impatience because our group (Marches DOC) has a great desire to know their music all Italy, if not the world.
Hyra The project among the many songs, produces a very first version of "Diamond", the problem is finding the right channel that can adequately support ... The Hyra believe, based on knowledge of and gratitude for Marco Mario Flores (known music producer and sound engineer "Italo-dance" in the 80s), a small glimpse to success, it opens, in turn, Mario Flores, conosce Claudio Cecchetto (il famoso conduttore televisivo, produttore discografico e talent-scout italiano)e gli fa ascoltare la demo di "Diamond". Nonostante la celebre frase: "Nooo… Che cazzo è! Per me non venderà mai!"la canzone venderà 3.500.000 copie in tutto il mondo! Claudio Cecchetto però la trova adatta come sigla di "Deejay Television" e praticamente "compra tutto" canzone e gruppo compreso.
La prima rivoluzione di Cecchetto, è quella di ribattezzare il nome in "Via Verdi" che praticamente vuol dire "attraverso Giuseppe Verdi"...la musica che cerca nuove sonorità rispettando la tradizione musicale italiana. Nome originale che tutti possono ben memorizzare...

Australian Toaster Biscuit

Hyra ...


Via Verdi ... why this name? The idea was Claudio Cecchetto, a famous talent scout (see Fiorello, Jovanotti, Sandy Marton, Spencer Tracy, etc. ...)... But before you call it that, there already existed a musical project with a specific name ... the Hyra. They were part of Hyra: Marco Grati on guitar, keyboards Glauco Medori, Armando Grati (no relation to Mark) as lead vocalist and bassist, Maurizio Varano on drums, Patrick Giuliante choirs (author Marco Grati of texts). "Political program" remains the only individual affected by Hyra. For the record was produced and mixed by Claudio Ridolfi and the same for Hyra Woodpecker Records in 1984 (registered Recording Studios by Ezio Vallemani to Statius, and mixed by Mario Flores at Rimini Studio Record). The beautiful cover is Umberto Grati (Armand's brother) ... The question I ask myself is why changing the name "Hyra" in "Green Street"? You could not leave Codest beautiful name?? The truth is that "Green Street" led to our good!

Wagner Paint Crew Plus Directions

It starts ...


Some time ago I thought of a dream I had as a boy.
E 'late afternoon and I'm walking on an empty stage. Walk, walk, and I find myself humming "Diamond" ... Then you populate the stage, I applaud the people ... It 'a success! I'm famous!
For the record, the song was a famous band in the '80s, namely the Via Verdi.
Looking back, I realized two things: first, even then my mental stability was not the best, and secondly, not all dreams are to be interpreted or explained, as is often tries to do, thereby losing part of the poetic side and possibility of escape from reality.
In this sense, the dream is a matter compatible with the music: there is no possibility of univocal interpretation, no precise image, but faded colors and hues. If this is true for all music, once more applies to that of the Via Verdi.
Their music can be an empty box that anyone can fill as they see fit. Writing this blog I will not explain anything, only tell a location, human and artistic.

David
Milan, May 2010

New Church Donation Letter

OLYMPICS 1960 VERGANESI

Non poteva essere che questa canzone, ormai diventata sinonimo di vittoria nell'ambito sportivo, ad accompagnare questo post di ricordi adolescenziali. I Queen nel loro primo ed antisegnano dei video musicali. Una rarità per i tempi in cui fu pubblicato. Difficilissimo poter rintracciare un video musicale allora!
Noi siamo i campioni, urla Freddie, e noi pure ci ritenevamo tali, per lo meno con la fantasia...

Correva l'estate dell'anno 1960. The school holidays were a godsend ... then Long months to enjoy the most absolute freedom. Ready to roam far and wide in the valley of the "Sciscion" playing at the Far West, or immerse yourself in its oxbows (a favorite was the "ssciusa") to wallow happy afternoons, or even venture into the bike (scassatissime with the chassis and a woman) in search of new scenarios and new roads never traveled. But that year we were waiting for a great sporting event. The radio (what you say? ... Television? ... Was not home !...) and the newspapers reported in a crescendo of advances spasmodically, the news for excellence: The modern Olympics would take place in Rome. And for us, orphans image, they began to multiply the fantasies that were running in our young minds immaculate. Only a few rare photograph Tuttosport (it was still almost exclusively a newspaper to read and the photos were very rare.) And the much more significant and abundant that appeared in the weekly "Sports illustrated" that sometimes, with some sacrifice money could procure us comfort and help to create our imagination.

This news fueled in us (I speak in the plural, since then the games were shared backyard with my brother and my cousin Eugene GianCarlo of two and three years older than me.) Desire to emulate disciplines and to experiment in the easiest and replicable without any equipment. Essentially then jumps racing and derived from athletics leggera.Mio Giancarlo cousin who was almost 16 years and have attended the "Mossotti" school of accounting at Novara, was endowed with an uncommon ability to organize and was an accountant in the future have a predilection for everything that was statistically controlled. He was able to collect and process in a "monstrous" creative he were to analyze any data. Imagine if it had not been able to "historicize" times and measures that we were going to achieve.
From an organizational standpoint, I just remember that, for making measurements, ad esempio del salto in lungo oppure delle distanze dei 50 e 100 metri che avremmo dovuto percorrere, si era dotato di una "bindella" raccolta tra due lastre rotonde di latta fissate centralmente da un rocchetto di legno (usato allora per raccogliere il filo da cucire)per avvolgere una fettuccina lunga 20 metri sulla quale aveva segnato con una pazienza veramente certosina dei trattini e delle scritte numeriche, che demarcavano i metri, le decine di centimetri ed addirittura i centimetri stessi. Usando il metro da sarta flessibile, che allora non mancava in ogni casa, come modello di riferimento, ricostruì il primo strumento che ci necessitava.

Naturalmente modern rib posted here serves only as an example of how that could be built from rudimentary Giancarlo (abbreviated "Ginch" as we called him then), while the reel is just like that then.

The second, to assess the time spent on races, was a watch with a stopwatch that allows you to read even the tenth, but that had not yet, however, the function of sleep! It was necessary to have a great eye for capturing the moment of the fateful arrival of virtual ribbon-cutting ceremony. Fortunately it was only the official timekeeper and then Giancarlo errors, if there were, however, had the same degree of imperfection. Maybe ill, or well you do not know him, he'll incoglieva to detect when its time was me or my brother to use the clock ....

But where and with whom we competed?
Who is now said ... The trio was the only team "invited" and entered the competition! There would be no discussions for the award of medals, three were up for grabs, gold, silver and bronze, and three were competing to be awarded! The games of the First Olympiad, called Baraggioni 1960 because of the constituency of participants in the farmhouse of residence, were then only a beginning in a minor key, the prologue to the next big issues, including Vergano, that lasted until 1964, when they saw a large number of athletes participate. It took place must be
Baraggioni locations (with the only variation consumatesi bicycle racing on the road, then deserted, which went from Boca to the Sanctuary). In the bottom of our farmhouse, I mean south, where the home of Bruno from "Pargot, which then still had not risen, the housing end, begins the subtle grassy expanse of the valley leading to Sizzone Fugnano. Near the eastern slope leading up to the columbarium, in places Baragiuna, a well-marked trail skirted the edge of a meadow, on the one hand, and a row of trees that bordered a cart on the other. There we went, with the famous rib noted that there might be at least 100 meters in the home straight and decides to carry out races and jumps of the specialties of athletics. The place was called the Olympic Stadium in the story that my cousin Ginch published for the occasion in the magazine he had founded, in which he wrote and that he was careful to prepare and print amanuensis.

Written with meticulous attention to a type A4 sheet folded in two, is an incredible testimony of how those years we lived in a carefree, but also very, very sporty. Narcotics are also inserts advertising, probably copied from the sports newspapers of the time. People who like the style deliberately pompous and redundant of "articles" that will take care to attach, not has only to click on it and smile with us for great deeds, as a kind of "Tartarini" (from Tartarin Tarascon sbruffonesco valiant knight and venture ...), moreover could boast the honor of having won medals at the Olympics ... of Baraggioni!



Those first Olympics had a ruler: my brother Eugene. Had no rivals in the fast lane. I do not know how I managed to win the race I most gritty, the 50-meter dash ... Certainly my specialty was shooting short, while Eugene had a deadly progression.
I have not written but I emphasize here: the competitions, with the exception of cycling, had the performance in individual, that everyone competed against himself. Only the fastest time or the linear measure decreed the goodness and the size of our performance. It was a great way to fight against their own limits, to improve, beyond the direct comparison, that is, without a train, sometimes subtle, the humiliation of defeat.
In that time I made a few pictures of us with a camera scassatissima purchased by mail with a coupon that appeared in Mickey Mouse. I think it was a Ferrania. The nice thing is that the development of the photographs was done by ourselves, in a dark basement with the equipment to provide to Gino "Quai" our eccentric neighbor to whom I shall have occasion to speak in another post.
being part of the real races are two images that will insert now. Unfortunately the quality is really poor. The recovery in motion, with quell'antidiluviano device, but proves nothing short of disgraceful. I'm in the arrival of 50 meters, I look like a bald old man .....( as they are now ...)


What stands out is the long jump Ginch. A teacher in the disciplines of jumping. Could coordinate movements just by blowing at the right time to take off the charge muscular jumps. He tried to instill in us the best technique to make we had the best potential due to the ease of travel. Unbelievable was also the approach to the triple jump, which we initially proved difficult because of the timing of movements. We had never seen perform live ... We learned the technique from sketches drawn in a review of CSI, I think, paid to young people in learning the fundamentals of athletics. Ginch magazine that had recovered in that of Novara in the library of oratory boarding school where he used to have lunch before the afternoon shift at school. (Which he attended boarding school in the year when I did high school in Italy).
I enter another document of the era.
At the end of the Olympics drew this Ginch extra allegato allo Sportivo. Tutti i risultati conseguiti e la cosiddetta "medagliera" come l'aveva chiamata. Ancora non leggevamo sui giornali il termine giustamente usato poi in seguito "il medagliere" ( quanto giustamente non si sa...) Lui l'aveva chiamata al femminile e forse anche più appropriatamente poichè poteva considerarsi come una bacheca (femminile...) nella quale riporre ed evidenziare le medaglie vinte : una medagliera, quindi.
Ci sarebbero altre mille cose da scrivere, ma me le riserverò per il prossimo post dedicato alle Olimpiadi di Vergano, quando la partecipazione other guys will make it both more interesting and the photographs that will please remember after almost fifty years.
I only remember that the famous Olympic Stadium which saw the unfolding of the first edition of the Olympics Verganesi, there will be no trace in the annals of sports. The "trio" took the north and ventured on the banks of Sciscion to look for alternatives for the race. One was found in the area "Ssciusa. He could afford a nice straight line of 50 meters and a distance of 100 meters with a bend insensitive. It was practiced for a few rare occasions.
The natural outcome of our events was the stadium, "Benjamin", used in the past, as noted, for the Cologne Solar of Vergano. When we put ourselves in the foot was still in excellent condition. It only takes a cut of grass and a small work of deforestation of light shrubs. We settled there and for at least seven or eight years he lived a very happy season of small and large events.
in scanning the various options of land use to accommodate the stage of our dreams, we wandered to the shores of Sciscion and explored its shores. I have a couple of shots documenting the excursions of the trio near the stream and "climb" the wall of the western shore of Sciscion, just north of the "punt'd tola", which in this area is quite steep.

Eugenio and I at the base of the "climbing"

Ginca ed io al culmine della "scalata". Dietro noi, sulla collina oltre la valle, Mirasole la parte settentrionale di Vergano

Ingrandimento alla base della "scalata

Io sto sorridendo, forse già allora consapevole delle "rodomontate" che ci creavamo nelle nostre piccole testoline. Ma il mondo ci appariva troppo grande e immaginavamo di farci grandi pure noi. We are the champions, siamo i campioni. Non era per niente vero, naturalmente, ma è stato bello crederci e giocarci.

E dopo di noi, temporalmente naturalmente..., entreranno nella leggenda dello sprint Harmin Hary e soprattutto Livio Berruti e la gazzella nera Wilma Rudolph, eroi della pista dell'Olimpico. Delle loro imprese mi risuonano ancora nelle orecchie i commenti alla radio in diretta ( Forse era già Paolo Rosi?) e mi ricordo di essermi catapultato in cortile gridando e correndo come un forsennato su e giù per la strada dopo che Livio tagliò per primo il fatidico nastro... Lui sì che era in cima al mondo!

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